SYNTHWAVE
The bio that accompanies the release of Sally Dige’s Holding On proudly proclaims that despite being made with one synth, each song on the record has more than 100 tracks of audio, and in some cases that many just for the drums. That claim might give you the impression that the LP is focused on sound design and complex production, and indeed, the record is obviously the product of extensive layering and assembly. But for all its multiplicity, it’s the immediacy and knack for melody that sells the Danish-Canadian’s music.
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