A former Haunted Graffiti member, Gary War (aka Greg Dalton) often gets shortsighted alongside his peers, Ariel Pink and John Maus. Arguably, the most experimental of that crowd, War tends to resist the nostalgic impulse in Pink’s music and precludes the pop chops of Maus. On Jared’s Lot, this sensibility is accentuated even further than in the past. Here, he hides razor-sharp angularity under a fog of reverb and contorts a melody’s crooked gait into an impenetrable Fibonacci sequence of retro-futurist arpeggio bedlam.
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